Bourgeois Yoga: To Become One with the Status Quo

“Goblins do less harm to us than generals;
Pixies plague us less than do the politicians;
Fairyland is much more happy than our society;
Musing can be more profitable than reading;
The oracle more truthful than the news media;
Nature has the facts, mankind the theories;
Nature keeps the world clean, and man pollutes.

~ “The Prophetikos” of Shri Gurudev Mahendranath

I have received some feedback from my article Radical Between Extremes, or Midnight Cemetery Puja which indicates that I was perhaps unclear as to my target. That is liable to happen when the twilight imagery of Yoga and Tantra become involved with a more concrete point of social concern. This miscommunication does at least give me the opportunity to make a certain criticism more barbed; though I wish it to be swallowed, I do not want it to go down so easily that we forget we had to swallow anything at all.

Since the 19th century in the West, magic and mysticism have at least popularly become the purview of what some schools of socio-politcal thought call the bourgeoisie. That is to say not only that it has become a thoroughly middle class phenomenon, but that—as with all things commodified for the entertainment of the middle class—it has become safe. In traditional cultures, the shaman and the sorcerer are not people that one approaches lightly, and even the shaman and sorcerer themselves do not approach their vocation the same way we might take a job working in Accounts Receivable. It is a true vocation, a calling, but it is just as appropriate to call it an evocation—a calling out of many social norms, of a central place within a protective community, of not just the expectations but also the protections of a regular member of society. The Yogi, the magician, the shaman, the witch, are weird and maybe a little crazy, certainly either intimidating or discomfiting. Even today, the Vodou houngan, mambo, and bokor or, in a less organized setting, the hoodoo root doctor are not people to be trifled with. A Vodoun may know a bokor pretty well, even be close friends, but when the bokor is acting in his office, he is in that way and for that time set apart somewhat so that he may do his job. And his job is a fearful one. Likewise the Yogi: though he  may not outwardly renounce society, he will at least force some space between himself and his community, making an inner renunciation which carries more weight anyway.

I hope I should not even have to make an especially direct remark about the phenomenon of the modern “yoga school” or “tantra workshop”, at this point, but if I need to be more clear: I have met precious few urban or suburban yogis, magicians, and shamans who had done more to earn the title than take a correspondence course, join an order, or engage in a class or workshop. Little to no personal sacrifice is made and, as a result, none of the feral nature of the witch or the acid of the Tantrika has awakened within them. Such a wild one is not therefore a thoroughgoing iconoclast, as if smashing imagery for its own sake were ever more than petulant, but is rather wise to the inner nature of the images.

I do not mean this as a discouragement, for as much as it may seem like an insult. It’s just that a disease cannot be treated until it has been diagnosed, and sometimes the diagnosis can feel as harsh as the symptoms themselves. It may seem unfair that many are called but few are chosen until you realize that the calling is not up to you, but being worthy of the choice is.

When I spoke in that last post about movements, parties, voting, and politics, my intended audience was—as usual, on this blog—practitioners or at least students of the esoteric. Join your movements and march, join your parties and vote, there’s no harm in it if your cause is just and your intentions compassionate. But I speak as a mystic and magician to mystics and magicians—as well as poets and artists who, God knows, do some of the same work we do in their own way—when I say that any such support must arise organically from the wilderness of your own soul and not exclusively from the runaway locomotive of cultural pressure. We cannot be socially or even psychically safe and expect to make real progress in the exploration of Pati, pasa, and pasu (the Divine, the world, and the self). The Tantrika throws in his lot with the ghouls and goblins who haunt the woods and cemeteries, the witch tosses hers in with the horned (and horny) spirits who ride the dark undercurrents of Nature, and the artist drops his in with the poor, the diseased, and the disenfranchised—in all cases with the things that go bump in the night, the bogeymen in the closets and monsters under the bed of the comfortable, the wealthy, the righteous, the secure. And this must go so far beyond voting, attending a workshop, or marching at a rally. If the artist does not continue to create, her mission is stalled for both herself and the world; if the mystic should cease to seek kaivalya and the magician halt in reflecting holy gnosis, regardless of the dangers and insecurities which this must breed, it may as well be that the Sun and Moon both fail to rise, for the sweet nectar of immortality comes only to those who will touch tongue to the bitter poison of Saturn’s kingdom.

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